Early-Career Artist Project Grant
Grant Amount: Two grants, $8,000 each
2020 Application Deadline: October 16, 2019
Grant-Funded Period: January 1 – November 30, 2020
THE 2020 APPLICATION PERIOD IS CLOSED. 2021 APPLICATIONS WILL OPEN IN AUGUST, 2020.
Grant Intention: This grant supports the creation of a new public art project by a MN-based early-career artist.
Forecast Equity Commitment
Forecast seeks to fund a diverse group of artists working in a range of public art practices and media. We place particular emphasis on supporting and amplifying the artistic work of artists of color, female artists, LGBTQ artists, immigrant artists, artists from rural communities, as well as non-traditional public artists. It is our value that our applicants, panelists, and grantees reflect the racial, cultural, gender, artistic, and geographic diversity of our state, and the stories and perspectives of the artists and communities we serve. Artists of color are strongly encouraged to apply.
Early-Career Artist Project Grants support the creation of a temporary or permanent public artwork anywhere in the state of Minnesota by an early-career, Minnesota-based artist.
Projects may be additionally supported by public or nonprofit agencies, or through in-kind sources, however, private commissions are not eligible.
The project site must be secured/uploaded by the application deadline on October 16, 2019 (written documentation of site approval is required for this grant).
- What is Public Art? Broadly speaking, public art is artwork in the public realm, regardless of whether it is situated on public or private property, or whether it is supported through public or private funding. It can range from temporary to permanent work, murals to sculptures, interventions, performances, storytelling, iron pours, sound and light projects, dance and spoken word. It is free and accessible to all members of a community.
- What is an Early-Career Artist? An early-career artist is considered as, “showing significant potential, yet…under recognized by their peers and arts professionals. Evidence of some professional achievement is expected but artists with an extensive record of accomplishment are not eligible.” Forecast’s early-career artist grants are funded by the Jerome Foundation and additional details regarding the early-career artist focus can be found here.
- Applications will only be accepted via the Submittable online application system starting August 12, 2019. Apply here. (https://forecastpublicart.submittable.com/submit)
- Complete applications include the following: brief proposal overview (limit 75 words), proposal (limit 500 words), community connection (250 words), early-career status (250 words), career impact (250 words), diversity of lived experience and perspective (250 words), resume (limit 2 pages), site permission, budget, work samples, and work sample information
- If you need assistance in submitting your application in English, please contact email@example.com.
These grants are made possible through generous funding from Jerome Foundation.
See our Selection Criteria and visit our Frequently Asked Questions page for additional information regarding proposals and the selection process.
Project Overview (limit 75 words):
Brief summary of the proposed project. This will be used for reference during the panel review process and for public announcements if the application is awarded funding.
Project Proposal (limit 500 words):
Describe your proposed project and its implementation. What are you investigating? Who are your collaborators/partners? How will you implement it?
Community Connection (limit 250 words):
How do you define community? What is your connection to that community? How do you plan to engage the community in your project, and how will they benefit from your project?
Diversity of Lived Experience and Perspective (limit 250 words):
Forecast seeks to fund a diverse group of artists working in a range of public art practices and media. It is our value that our applicants, panelists, and grantees reflect the racial, cultural, gender, artistic, and geographic diversity of our state, and the stories and perspectives of the artists and communities we serve. Describe your lived experience and perspective as an artist working on public art.
Early-Career Status (limit 250 words):
Describe your status as an early-career artist.
Impact on Artistic Development/Career (limit 250 words):
How will this project support or impact your artistic development/career?
Resume (limit 2 pages):
Upload a document (2 pages max) that lists your personal and professional experience.
- If the applicant is a collective or artist team, upload a resume for each member (2 page max per person). Name file using the format LastName_Resume
- Budget should include written documentation of any additional support, cash or in-kind, which has been received or is committed (not pending/applied for) upon application.
Written Documentation of Site Approval
Provide documentation that you have permission to create your project in the desired location.
Work Samples (limit 5 images):
Work samples are accepted for a range of media and are based on a limit of 5 images. Please see detailed work sample submission requirements below.
Applicants are allowed up to 5 images. Applicants choosing to submit sample types other than images should use the following guidelines:
- 1 image = 30 seconds of video/audio = half a page of written work (poetry, prose, fiction, etc.)
- Select examples of allowed work samples include:
- 5 images OR
- 3 images and video/audio samples up to 1 minute OR
- 5 minutes of video/audio samples OR
- 2 pages of written work samples and 1 image, etc.
- If submitting images:
- Limit of 5 images, if images are the only work sample type submitted.
- If submitting video/audio:
- Limit of 2.5 minutes total of video/audio if video/audio samples are the only work sample types submitted. Samples may be split into multiple video/audio files, however, the total length must stay within work sample allowances.
- Video/Audio samples must be edited to fit within length limits. Forecast will not accept video/audio samples that exceed the total length limits stated above.
- Edit and organize video/audio samples mindfully – do note that panelists may not watch video/audio submissions in their entirety. Keeping individual video/audio samples to a 30 second-2 minute limit will make it more likely that jurors will experience the particular sections you would most like them to review.
- If submitting written work samples:
- Limit of 2.5 written pages if written work is the only work sample type submitted.
- PDF documents are preferred.
- Edit and format mindfully – do note that panelists may skim longer text submissions.
Formats other than those listed above are discouraged, but may be accepted on a case-by-case basis, if approved prior to our application deadline. Email firstname.lastname@example.org with any questions.
Work Sample Information:
When uploading materials to Submittable, you will be asked to share basic project information, including: title, year, medium, location, temporary / permanent (or duration for performative work), and dimensions (if applicable). Applicants may also include brief additional information as necessary.
- Forecast’s grants support public art and public art-related activities. Forecast defines public art broadly to support a range of processes, formats, and contexts. See definition of public art below.
- Applicants must be in the appropriate career stage for the opportunity for which they apply – either mid-career or early-career.
- Applicants for the McKnight-funded Mid-Career Project Grant must be mid-career public artists. Applicants for the McKnight-funded Mid-Career Professional Development Grant must be mid-career artists. Applicants for the Jerome-funded Early-Career Artist Research + Development and Early-Career Artist Project grants must be early-career artists.
- An artist may only apply for one grant from Forecast during an annual grant cycle. Applicants who apply during the summer for the Mid-Career Project Grant cannot apply for other grants in the fall of the same year. Fall applicants can only apply for 1 grant opportunity.
- Applicant must be a resident of Minnesota, having physically lived in the state for 12 of the past 24 months, and remain a resident throughout the project period.
- Applicant’s project must be original and not duplicate previous work. Forecast grants do not support remounts or reinstallations, projects that begin prior to the start of the grant year, or projects that are ongoing.
- No ticket sales or fees may be charged; all events and installations must be freely accessible.
- Organizations and Forecast Public Art staff, Board, and Committee members are not eligible.
- Students in K-12 educational programs or enrolled in undergraduate or graduate degree programs are not eligible.
- Projects may be additionally supported by public or nonprofit agencies, or through in-kind sources, however, private commissions are not eligible.
- Former grantees with outstanding final reports cannot be considered for additional Forecast grant funding until all final reports have been submitted and approved.
- An artist is not eligible to receive a project grant from Forecast in two consecutive years. An artist can receive a Research + Development grant in consecutive years, or a Research + Development or Professional Development grant followed by a Project Grant.
Quality & Clarity of Proposal:
The strength of the proposed idea, clear consideration of the scope of work proposed and the applicant’s ability to see it through to completion.
Value of Project to Artist’s Development:
Applicants for this opportunity must be early-career artists with potential for development, innovation, deepened practice, or new growth.
Benefit to the Community:
This criterion can take many forms from enjoyment to beautification, civic engagement, filling a need or meaningful collaboration. Community can be defined in a variety of ways and applicants should speak to how their work will benefit their defined community.
Diversity of Lived Experience and Perspective:
This criterion speaks to our value that the artists we support reflect the racial, cultural, gender, artistic, and geographic diversity of our state, and the stories and perspectives of the artists and communities we serve through public art. We place particular emphasis on supporting and amplifying the work of artists of color, female artists, LGBTQ artists, immigrant artists, artists from rural communities, as well as non-traditional public artists.
Quality of Work Samples:
This criterion relates both the quality of the work shared as well as the degree to which the work samples support the artist’s ability to complete the proposed work.