• Twitter
  • Facebook
  • Instagram
  • Youtube
  • About
  • News
  • Events
  • Donate
  • Contact
Forecast Public Art
  • Artist Support
    • Hire an Artist
    • Artist Opportunities
    • Public Artist Grants
    • Grantees
    • Trainings & Workshops
  • Client Services
    • Planning + Engagement
    • Finding + Selecting Artists
    • Trainings & Workshops
  • Trainings
  • Voices in the Field
  • Change Lab
  • Search
  • Menu Menu
portraits of three womxn BIPOC artists, each with long brown or dark hair and each posing against a creative background of art or studio space

Zamara Cuyún, Claudia Valentino, and Thomasina TopBear

2022 EARLY-CAREER PROJECT GRANTEE | $8,000

Los Ancestros Mural at La Mexicana

Located in the heart of the Latinx business district in Minneapolis, this mural will explore the relationships between the Latinx and Native communities connected to this area, focusing on shared experiences with displacement and reifying home, and keeping their heritages for the next generations. The objective is to create a mural that affirms the identities of the Latinx and Native communities that have connection to the land where Lake street is located and the bridges of shared experience that link them.

Zamara Cuyún (above left) is, for better or worse, a product of colonization, with Indigenous roots in Guatemala – born and raised in Minneapolis. A self-taught, “Gringindia” artist of de-Indigenized Highland Maya ancestry, she works in acrylics, using elements of Guatemalan Maya history, iconography, and worldview – sometimes to explore and create a vibrant, colorful, imaginary dream universe and, at other times, to represent the restless, violent, and unsettling world we are often forced to inhabit. The themes that inspire her work and to which she is drawn back to, time and again, include Indigenous identity (her own, as well as that represented in Guatemalan society), the history of colonization and resistance, the persecution and genocide of Indigenous populations, and the call for social justice, revitalization, and decolonization and the central role and strength of women in this process. Color and light are of the utmost importance in her work in order to make her subjects – the lovely, as well as the gruesome – pulsate with life from within. Vibrant Guatemalan Indigenous Maya textiles and art – contemporary and precolonial – as well as stained-glass, Scandinavian rosemaling, and contemporary graphic novels inspire and inform her use of color and brushstroke.

Born in Mexico, to parents exiled from Chile and Argentina during the oppressive dictatorships of 1976, Claudia Valentino (above middle) is a muralist with more than 9 years of experience creating art that gives a voice to the community. She began working on murals with local artists and completed her development as a muralist at GoodSpace Murals shortly after immigrating to Minneapolis in 2008. Today, Claudia is an independent artist specializing in the co-creation of murals, both painted and mosaics, driven by intense community participation. Together with various artists, she creates systems and networks of connection with the community to express the wishes, challenges or messages that people want to express in each mural. Any mural that Claudia creates begins with a series of workshops or interviews where members of the community, whether they are schoolchildren or neighborhood residents, participate in learning to use muralism to express their identities and thus feel represented. Representation is one of Claudia’s most sought after goals. She conducts workshops on identity and representation in public art, and was also selected to participate in the 2019 Chroma Zone Festival, as one of twelve artists.

Thomasina TopBear (above right) is a self taught Santee Dakota & Oglala Lakota muralist, she has been a member of the international all female crew Few & Far Women since 2015. Thomasina helped found City Mischief Murals, an all BIPOC mural collective that actively paints large scale community based murals in the Twin Cities. She has helped organized a number of local and national community based mural events focusing on youth, women, activism & BIPOC artists. Thomasina’s inspirations come from her Indigenous culture and graffiti background, she uses these influences to express her feelings on community, social justice, culture, feminism and togetherness.

Valentino was a Forecast 2021 Mid-Career Project Grantee.
TopBear was a Forecast 2021 Mid-Career Project Grantee.

Forecast has been offering early-career artist grants supported by Jerome Foundation since 1989. In addition to funding, Forecast is dedicated to providing professional development and learning opportunities designed to assist emerging artists as they experiment/ hone their practices, and cultivate careers in the field. Forecast mid- and early-career grants are designed to support independent projects, leadership development, professional development, risk-taking, multidisciplinary approaches, and collaborative problem-solving in the field of public art.

Artist Support

  • Mid-Career Project Grants
  • Mid-Career Professional Development Grant
  • Early-Career Artist Project Grant
  • Early-Career Artist Research + Development Grant
  • Frequently Asked Questions
  • Grantees

CONTACT US

2380 Wycliff Street
SUITE 200

ST. PAUL, MN 55114

(651) 641-1128

INFO@FORECAST
PUBLICART.ORG 

QUICK LINKS

ARTIST OPPORTUNITIES

RESOURCES

STAFF & BOARD

NEWS

CONNECT WITH FORECAST

Sign up for our newsletters: With our general Public Art Update, receive monthly insights on what’s happening at Forecast and in the public art field. With our quarterly consulting newsletter, Making Change, follow the exciting work our team leads around the country.

Interested in sponsoring or advertising in FORWARD? Contact us!

© COPYRIGHT 2023 – FORECAST PUBLIC ART

JOIN OUR EMAIL LISTS

Subscribe
  • Link to Facebook
  • Link to Twitter
  • Link to LinkedIn
  • Link to Instagram
Scroll to top
 

Loading Comments...
 

You must be logged in to post a comment.